F1 Legends Of The 1950's - Vol. 2 - 1955/1958

Wild Fishing - Henry Gilbey

Rugged fishing at its very best. Sea fishing is very popular among anglers in the UK and Ireland. Living in a country that boasts over 19,000 miles of coastline there is a natural fascination for the wilder, more remote areas of Great Britain, and more notably the many islands lying off the British and Irish coast. In this new series, experienced angler, photojournalist and broadcaster Henry Gilbey, takes on the rugged outdoor challenge to explore a range of locations, including the Isles of Scilly, South East Ireland, South West Ireland, Bristol and Guernsey and uncovers the variety of fishing opportunities each has to offer. With no specific agenda, Henry travels to each destination with the aim of catching as many of the native fish as possible, whatever they may be. Energetic, enthusiastic and knowledgeable, we follow Henry throughout his journey as he seeks out his fishing quarry, meets up with local characters, visits points of interest and discovers the islanders' quirky traits and traditions.

F1 Legends Of The 1970's - Vol. 1 - 1970/1973

Throughout the 1950's, 60's and 70's, John Tate, a talented amateur film maker, travelled the globe to all the major international motor racing events and captured on film a unique insight into the golden age of F1 when it was at its most challenging, heroic and sporting. All the drivers, many of whom knew Tate well, can be seen not just in action but also at private testing and relaxing away from the track. Stewart, Rindt and Fittapaldi are just some of the greats featured.

Uriah Heep - Inside Uriah Heep - The Henlsley Years 1970-1980

A critical guide to Uriah Heep from 1970-1980, the crucial years when Ken Hensley was in the band. Features an in depth study of the music of Uriah Heep from 'Very Eavy to High and Mighty', incorporating rare radio broadcasts and archive footage from the early days right through to the end of the Byron era including new footage from the 1976 Pink pop festival. The story then moves on to the arrival of John Lawton and Trevor Bolder through to the departure of Ken Hensley following the ill-fated Conquest album.

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On the surface, Michael Newman (Adam Sandler) seems to have it all, yet with all the demands forced upon him by his ungrateful boss Ammer (David Hasselhoff), Michael finds that setting aside time to spend with his loving wife, Donna (Kate Beckinsale), and two picture-perfect children, Ben (Joseph Castanon) and Samantha (Tatum McCann), has grown increasingly difficult. When a frustrating bout with the television remote leads the overworked husband and father to a nearby Bed, Bath & Beyond in search of a universal remote with the power to control all of his electronic devices, a curious peek into the back room leads Michael into the company of eccentric employee and talented inventor Morty (Christopher Walken). It seems that Morty has created a device that will not only allow Michael complete control over his television and stereo, but his entire life as well. As Michael discovers that the remarkable device has the power to muffle the barks of the family dog, zoom himself past an irritating quarrel with his wife, and even allow him to travel back and forth through time to different points in his life, the rush of being able to skip straight to the good parts in life soon leaves him feeling as if he's missing out on the total experience. Only when Michael begins to realize that the he has lost control of his life and the remote is now programming him does he finally learn that life is as much about the moments he'd rather forget as it is the moments he will always remember.

Chaplin,Charlie - The Mutual Films - Vol. 2

Charlie Chaplin entered movies in 1914. In 1916 he became the highest paid entertainer in the world, when he signed a contract with the Mutual Film Corporation for a salary of $670,000. Mutual built Chaplin his very own studio and allowed him total freedom to make twelve two-reel films during this fruitful twelve-month period. Not surprisingly, he had the time of his life, and recognised this period of filmmaking as the most inventive and liberating of his career. This disc, the second of two volumes, contains six of the Mutual Films - from the solo performance in One A.M. reprising his classic stage drunk, to his inventive and balletic use of mechanical props in The Floorwalker. In The Vagabond his first minor masterpiece, Chaplin successfully combines pathos and comedy to create a lyrical love story. The films have all been restored and mastered from the best available materials. This exclusive edition of the Mutual films features brand new scores, written and recorded by acclaimed silent film composer Carl Davis. Films featured: The Floorwalker, The Fireman, The Vagabond, One A.M., The Count and The Pawnshop.